![]() Today many museums sell rubbings of bas-reliefs in their collections. In addition to fish rubbings, the Japanese made rubbings of metal ornaments. In India rubbings were made of tombstones and temple bas-reliefs, and in China rubbings were used to reproduce calligraphy as early as the 2nd century ce. Rubbings were probably the earliest prints made in ancient times. Simply by placing a fine paper over an incised or carved surface and rubbing the paper with heelball (wax and carbon black) or daubing it with special ink, an artist can use practically any surface for printing-including, as in Japan, the body of a fish. Relief etching is also a popular method of making inkless intaglio prints (shallow bas-reliefs on paper). The different levels of the plate can be inked with different colours. In contemporary printmaking, relief etching is used extensively for colour printing. He devised a method of transferring his handwritten poems, together with the illustrations, onto the metal plate to be etched. The English artist and poet William Blake was the first printmaker to experiment extensively with relief etching. Usually the method is used for areas, but it can be also used for lines. When large areas of a metal plate are etched out (see below Etching), leaving the design in relief to be surface printed, the process is generally called relief etching. ![]() The printing of cardboard plates follows the same principle as woodcuts or linoleum cuts.Īrtistic Styles and Techniques Quiz Relief etching In the cutting-out method a heavy laminated cardboard is used, and the cutout sections are simply peeled off to the desired depth. When the plate is finished, it is coated with a plastic varnish to make sure the surface is tough and nonabsorbent. In the first process, cutout pieces are glued to a support. Cardboard cuts can be made either by building up or cutting out. Cardboard and paper are not only inexpensive, readily available, and workable with simple tools but, when properly prepared, have also proved to be remarkably durable. Cardboard (paper) cutĮlementary school children are often introduced to printmaking by making cardboard cuts, and sophisticated artists use the same material to print complex abstract images. Because metal cuts were printed like woodcuts or wood engravings, it is often difficult to tell from the print which material was used. Lead was used primarily because it was inexpensive and easy to work. The distinguished Mexican artist José Guadalupe Posada, for example, used lead frequently for his prints. In the 19th century, lead cuts were often used for newspaper illustrations. Metal cutĪt times artists have used soft metals, such as lead or zinc, to make prints that are similar to woodcuts or wood engravings. The colour printing process follows the woodcut principles. They can be printed by hand rubbing or, properly mounted, can be printed on a press. The printing of linoleum cuts is similar to the printing of woodcuts or wood engravings. The process was held in low esteem until, in the 1950s, Pablo Picasso made a series of brilliant colour linoleum cuts. Since linoleum is easy to cut and does not have a grain, the linoleum cut often is used to introduce children to printmaking.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |